S1 Artspace and Site Gallery are delighted to announce they will be presenting Bloomberg New
Contemporaries 2011. Opening on 23 September, and featuring the work of 40 artists across a range
of mediums, this exhibition provides a unique opportunity to engage with new practice, ideas and
forms.
Established in 1949, New Contemporaries is an important and highly regarded annual initiative that
gives art students and recent graduates essential support and recognition at a crucial stage in their
development through a high-profile exhibition.
One of only two open exhibitions in the UK, participants are selected by a panel comprising influential
art figures including curators, writers and artists often who have themselves previously been a part of
New Contemporaries, and a rigorous process that considers the work within a broad cultural context.
The selectors for 2011 are Pablo Bronstein, Sarah Jones and Michael Raedecker.
While in its history New Contemporaries has travelled the length and breadth of the country, it hasn't
been in Sheffield since 1993. Now, in a particularly vibrant and active time in the city's history, it is the
perfect host for this show of radical, bold and experimental artforms.
Louise Hutchinson, Artistic Director of S1 said:
"We're delighted to be hosting Bloomberg New Contemporaries this September in collaboration with
Site Gallery, it's very exciting that the exhibition is returning to Sheffield after almost 20 years. Having
the opportunity to host such a significant exhibition for emerging artists in S1's newly opened studios
and gallery space is fantastic."
Laura Sillars, Director of Site Gallery said:
"For over six decades, New Contemporaries has provided the starting blocks for artists in the UK. At
this point in time as art schools and artists are under increasing pressure, we are delighted to be part
of the creative team bringing this important show to Sheffield."
Rebecca Heald, Director of Bloomberg New Contemporaries said:
"Bloomberg New Contemporaries is committed to showing the very best work from emerging artists'
studios across the country. We are thrilled to be back in Sheffield after such a long break.
About New Contemporaries
Bloomberg New Contemporaries gives people still at, or just after, art school the opportunity to show
their work in the context of a professional art gallery. It is important in that it takes the work out of the
educational context and into the real.
The relationship between education and art is known, respected, but strangely not recognised
enough. As an organisation, Bloomberg New Contemporaries is totally independent of the art school
as it allows applicants a democratic chance for the work itself to shine through. Reputations that might
otherwise become set within the art school system are able to break out.
The annual exhibition is selected in two stages. The first stage is virtual, with selections made from
jpegs, DVDs, and written proposals. At the second stage actual physical works are considered and
used to make the final selections.
The importance of testing, looking, judging without knowledge of school or age, works both ways. The
Selection of selector is, therefore, key. As a principle it is important to convey a very basic sense of
possibility to every art-school student or recent graduate considering applying. The selection is made
by artists and writers and often a selector will have also been in Bloomberg New Contemporaries
a number of years before. The intense and detailed selection process provides the selector the
opportunity to consider art in a broad context, in a visual and aural sea far removed from their
individual career.
Although there is no limit put on the number of artists to be shown each year, the number chosen
from out of over 1,400 applicants has averaged almost uncannily, at around 35. Independent of place,
Bloomberg New Contemporaries is an annual exhibition without a building, and has had beneficial
relationships with many important galleries. The exhibition travels and this movement, which is an
integral part of the structure, means a different relationship to audience and place. The exhibition
provides galleries, such as Cornerhouse, Walsall or the ICA, a ready-made exhibition of the very
newest and best contemporary art.
2011 Selectors
Pablo Bronstein (born 1977, Buenos Aires) lives and works in London. He completed his BA in Fine Art at the Slade (2001)
and an MA Visual Arts at Goldsmiths College (2004). Solo exhibitions include Sketches for Regency Living at the Institute of
Contemporary Arts, London (2011); Alternate Colour Scheme for Sewage Works, Kunstal Charlottenborg, Copenhagen (2011);
Garden A La Mode at Tate Britain (2010); Pablo Bronstein at the Met at the Metropolitan Museum of Art, New York (2009);
and Städtische Galerie im Lenbachhaus und Kunstbau, Munich (2007). Significant group shows include Move at the Hayward
Gallery (2010); Manifesta 8, Murcia (2010); PERFORMA 07, New York (2007); and Tate Triennial (2006).
Sarah Jones (born London, 1959) lives and works in London. She studied for her MA Fine Art (1996) and her BA Fine Art and
Contemporary Dance (1981) at Goldsmiths College. Solo exhibitions include ones at The National Media Museum, Bradford
(2007); Huis Marseille Foundation, Amsterdam (2000); Museum Folkwang Essen (1999); and Museum Reina Sofia, Madrid
(1999). Significant group shows include Heroines, Museo Thyssen-Bornemisza and Fondacion Caja, Madrid; A Sense of
Perspective, Tate Liverpool; Dutch Still Life, Peabody Essex Museum, Massachussetts (all 2011); Portraits, Bloomberg Space,
London (2008); Street and Studio: an Urban History of Photography, Tate Modern and Museum Folkwang, Essen (2008);
Northern Lights: Reflecting with Images, Galleria Civica, Modena, Italy (2007).
Michael Raedecker (born 1963, Amsterdam) lives and works in London. He first studied for a BA in Fashion Design at Gerrit
Rietveld Academie in Amsterdam (1990) before enrolling on a Fine Art degree at Rijksakademie van Beeldende Kunsten,
Amsterdam (1994) and then an MA Fine Art at Goldsmiths College (1997). Solo exhibitions include line-up, Camden Arts
Centre, London (2009); instinction, Museum für Gegenwartskunst, Basel; and extract, Van Abbe Museum, Eindhoven,
Netherlands (1999). Significant group shows include Changing Times - New Worlds, Gemeentemuseum Den Haag, The
Hague (2010); Painting Now!, Kunsthal Rotterdam (2007); and Painting at the Edge of the World, Walker Art Center,
Minneapolis (2001). He was nominated for the Turner Prize in 2000.
About Bloomberg
As a global financial information and news provider, Bloomberg has established an international reputation for connecting
influential decision makers to a dynamic network of information, people and ideas. Bloomberg's sponsorship of New
Contemporaries is now in its 12th year and forms part of the company's philanthropic commitment to new ideas and
extraordinary talent through sponsorship of the contemporary arts around the world.
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